boyd huppert

3 GREAT STORIES: Starring ATL, EW, and the inventor of Twister

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Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

I always appreciate when a journalist can frame a familiar subject in a completely new light.

This applies to major issues, of course, but it also relates to more seemingly frivolous topics.

If a common thread exists among the following three stories from last week, it would be the storyteller’s ability to bring new appreciation to seemingly simple matters.

How you know where you’re going when you’re in an airport (6/12/14, The Atlantic): For the second straight year, I have purchased a book based on nothing but a brief passage.

Last year it was Andrew Carroll’s brilliant Here Is Where. This year it is David Zweig’s Invisibles.

And this passage is what got me to click “PURCHASE”.

Zweig tours the world’s busiest airport, Hartsfield-Jackson in Atlanta, and studies the meticulous ways in which its designers enable it to function without error.

(Almost without error, anyway. This is an airport we’re talking about.)

This particular selection is not long, but it remains informative and well written. A reader can choose to take the preferred next step — buying the book — or walk away having still gained a nice perspective into the inner workings of airports. (more…)

3 GREAT STORIES: Starring the importance of exposure

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Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

Success as a storyteller comes in many different forms, but to me, it partially occurs when one exposes new or underrepresented viewpoints to a wider audience.

This, at times, is a truly difficult task. Sometimes, I feel, as media consumers, we rely so much on our own eyes and experiences that we naturally give shorter shrift to the filtered, seen-through-the-news experiences of others.

This week’s 3 Great Stories are all pieces that provide powerful insights that do not usually break through to the mainstream.

This is why poor people’s bad decisions make perfect sense (11/18/13, Huffington Post): A quick piece of background: this past week, through a leadership development program, I participated in a “simulated society” exercise, where dozens of us split up into regions and participated for a full day in an alternate world where people were randomly assigned to varying levels of money, power, and location. I was grouped in the poorest, we-have-nothing region.

And it was shocking.

It was shocking to see how people responded when placed outside of their comfort zones. Even in a game format, I felt emotions that I never imagined I would feel if I faced that situation in real life. And in the poorest region, our priorities were so much different than those of the other regions. We were essentially playing a different game — a much more urgent, desperate game.

With that experience under my belt, I possess even greater appreciation for an article like this one from Linda Tirado. She details her experiences as someone who self-describes as poor, and she discusses a similar mindset in real life to what my group saw during our game. I won’t spoil much, but this is a strong piece that gives exposure to a viewpoint rarely found in traditional news.

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3 GREAT STORIES: Starring sports, maps, and bratwurst

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Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

When I first started this blog, I felt nervous about this particular segment.

Would I be able to find “3 Great Stories” every week? Stories that would offer me a new perspective on a familiar subject? Stories that would hit me emotionally as well as informationally? Stories that I would want to share even if I did not write a weekly column about them?

(In the first installment of this segment, you may recall, I only found two great stories.)

As this blog rolls into its seventh month, I am no longer nervous.

In fact, writing this segment is now one of my favorite parts of the week.

I have developed a process and rhythm for finding and absorbing great content. I subscribe to various RSS feeds and bookmark stories that pique my interest. I try to read and watch whatever I can during the week, but knowing how busy I often feel, I typically wind up waiting until the weekend to look at the bulk of the stories.

I love that part.

I love sitting down at my computer, clicking on story after story — print, video, audio, and otherwise — and taking them all in.

Between our busy schedules, our dwindling attention spans, and our penchant for the quick and brief over the measured and deep, we often now have to work to find great storytelling. But amidst the flood of information bombarding our minds, I am constantly flooded by powerful stories.

And I appreciate that such storytelling is still out there, in abundance, waiting to be seen.

Man and Superman (9/6/13, The New Yorker): For all the attention Malcolm Gladwell gets for his books, I still tend to prefer him in small doses.

At least, doses smaller than books.

In this case, Gladwell submits another powerful thinker about the blurred lines of athletic doping. He examines our castigation of Alex Rodriguez and Lance Armstrong amidst our reverence for Kenyan runners, who Gladwell finds are genetically predisposed to succeeding at the sport, and Tommy John, who thrived in Major League baseball largely thanks to bionics. At what point does science end and cheating begin?

I, for one, believe cheating begins once somebody breaks a rule. But Gladwell takes on the rules themselves. In doing so, he offers a beautiful example of how to cover a current news story with in-depth, well researched perspective.

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Appreciating the English language, thanks to an Austrian funk band

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I have been away for a bit on vacation, hiking the spectacular Dolomite Mountains of northern Italy and seeing views like that in the above photo.

(Not bad, huh?)

Of course, as apparently is my penchant when I go away, I came back with great inspiration for a blog entry.

And, much like the last time, the inspiration came from an unlikely source. On my last trip I was inspired by an article in an in-flight magazine. This time, it came from an Austrian funk band.

This band.

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After the hike, my travel buddy and I stopped for a day in Innsbruck, Austria, a vibrant city whose Old Town blends ornate architecture with youthful verve. Part of that verve, during the summer anyway, comes from a series of outdoor concerts such as this one, which I passed on the way to dinner.

By “passed”, I must admit, I mean “stopped at for 30 minutes”.

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3 GREAT STORIES: Starring Huey Lewis, ham radios, & a top chef

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Every week, I will shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

The following three stories are great examples of where craft meets character.

So often, without a good character or human element, a story simply does not feel relatable. We, as viewers and readers, tend to require connection on a personal level to the stories we enjoy.

A great storyteller knows how to use the proper tools to illuminate that connection.

The three examples below come in different formats: print and TV, long-form and short-form, with narration and without. Each journalist profiles a unique individual or group — but makes his story more powerful with some sophisticated crafting.

Huey Lewis’ old, weird America (6/25/13, Grantland.com): Author Steven Hyden wastes little time pointing out what becomes relatively obvious about the famous singer Huey Lewis:

His career is basically a time capsule.

Lewis gives an interview to Hyden while promoting the 30th anniversary re-release of his highest-selling album, Sports. (Lest we forget, in the 80’s you could release a #1 album with a title like Sports.) Hyden muses about how Lewis (A) “unchanged from the handsome, confidently smirking cool-dad figure,” (B) “consciously or not makes his living by constructing a public version of himself that hasn’t existed since the original Knight Rider was canceled,” and (C) “represents an archetype that is not only absent from the pop charts, it’s one that is nearly impossible for a young person to imagine ever being popular.”

Hyden interjects his own memories and revelations into the story, which is a wise move. The Huey Lewis story is one of nostalgia, and we like to share our nostalgia. Hyden does a beautiful job of toeing the line; he provides some personal color, allowing us as readers to reminisce communally, while never overdoing it to the point where he might take the spotlight away from Lewis.

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5 lessons from the NPPA’S best video stories of 2012

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Last week was a national celebration of storytelling … and you may have missed it.

The National Press Photographers Association, or NPPA, announced the winners in its annual Best of Photojournalism video and editing competitions. This year’s judges selected breathtaking stories from some of the finest video journalists in the country. Most of the winning pieces are timeless; you could watch them two months from now or two years from now and be just as moved as if you watched them today.

Watching the winners this week, I felt one thing above all: I wish I had done better.

I don’t mean “better” in the sense of winning or losing. I have fared very well in past NPPA competitions, finishing in 2nd, 3rd, and 4th place in the past three years in their standings for solo video journalists, or reporters who shoot their own stories. Since I joined in 2010, I have picked up an outstanding amount of photojournalistic techniques, gotten to know some talented colleagues, and found myself inspired by those colleagues’ stories.

No, what I mean is more insular: I wish I had done better work this past year.

I take great pride in the work I produced in 2012, but as I watched this year’s NPPA winners, I could not help but think about how much further I can grow as a photojournalist.

I should mention that I do not always prioritize the NPPA way in my daily work. As a solo video journalist, I must focus on every part of the reporting process: interviewing, researching, writing, shooting video, and editing. The NPPA tends to reward, I find, a certain style of story: one that emphasizes shooting and editing first while still valuing the other elements. They typically exalt the more stylistic, emotional stories above the investigative, information-heavy ones. This, of course, makes sense: the NPPA, after all, is an association of visual journalists, and they should not feel compelled to give out awards for writing and researching. But the NPPA philosophy does not always mesh with a newsroom’s philosophy or a particular day’s assignment.

That disclaimer aside, I greatly value the association for what it does so well: provide visual journalists a resource to continually improve their visual skills.

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