lance armstrong

3 GREAT STORIES: The all-Grantland edition

Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

The web site Grantland.com covers a lot of ground … with various degrees of success.

An off-shoot of ESPN’s web site, helmed by its most popular writer, Bill Simmons, the Grantland site is a hub for creative writing on sports and entertainment. At its best, it features some of the sports world’s most perceptive and insightful writers (particularly Zach Lowe, who runs circles around most basketball analysts) and does as good a job as anyone in joyfully tackling the frivolity of show business. At its worst, it often seems hypocritical, transparently searching for the type of clickbait (promoting “‘hot takes’ … dunks, GIFs and more” in its sports coverage) it elsewhere claims to disavow (regularly parodying those same knee-jerk hot sports takes).

But Grantland’s contributors do one thing particularly well: analyze themselves.

Many of the site’s columns involve turning the lens inward, performing the classic storytelling trick of exposing the process of journalism. The writers often insert themselves into stories and discuss their thought process about the very story they are covering. Again, sometimes this comes off as stale and self-promoting. But often it provides a great window into how the media works — especially in the highly-scrutinized worlds of sports and entertainment.

This past week showed three examples of Grantland at its best:

At least one real, authentic moment of humanity with Cameron Diaz (7/23/14, Grantland): Take this story, in which writer Alex Pappademas covers the site’s “Rom-Com Week” — yes, a week devoted to romantic comedies in the movies — by chatting with one of the genre’s more notable actresses, Cameron Diaz.

The problem for Pappademas? His interview with Diaz is a bit of an awkward mess, patrolled by PR folks and unable to produce the kind of honest insight he had desired.

So he focuses his article on just that: the awkwardness.

He sets the tone by sprinkling his first few paragraphs with sentences that read like mental note-jotting, treating himself almost like a detective going to interview a key witness. Throughout the description of his allotted time with Diaz, he documents numerous moments of ridiculousness, exposing more about the process than about Diaz.

It’s an enjoyable — and informative — ride. (more…)

3 GREAT STORIES: Starring sports, maps, and bratwurst

Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

When I first started this blog, I felt nervous about this particular segment.

Would I be able to find “3 Great Stories” every week? Stories that would offer me a new perspective on a familiar subject? Stories that would hit me emotionally as well as informationally? Stories that I would want to share even if I did not write a weekly column about them?

(In the first installment of this segment, you may recall, I only found two great stories.)

As this blog rolls into its seventh month, I am no longer nervous.

In fact, writing this segment is now one of my favorite parts of the week.

I have developed a process and rhythm for finding and absorbing great content. I subscribe to various RSS feeds and bookmark stories that pique my interest. I try to read and watch whatever I can during the week, but knowing how busy I often feel, I typically wind up waiting until the weekend to look at the bulk of the stories.

I love that part.

I love sitting down at my computer, clicking on story after story — print, video, audio, and otherwise — and taking them all in.

Between our busy schedules, our dwindling attention spans, and our penchant for the quick and brief over the measured and deep, we often now have to work to find great storytelling. But amidst the flood of information bombarding our minds, I am constantly flooded by powerful stories.

And I appreciate that such storytelling is still out there, in abundance, waiting to be seen.

Man and Superman (9/6/13, The New Yorker): For all the attention Malcolm Gladwell gets for his books, I still tend to prefer him in small doses.

At least, doses smaller than books.

In this case, Gladwell submits another powerful thinker about the blurred lines of athletic doping. He examines our castigation of Alex Rodriguez and Lance Armstrong amidst our reverence for Kenyan runners, who Gladwell finds are genetically predisposed to succeeding at the sport, and Tommy John, who thrived in Major League baseball largely thanks to bionics. At what point does science end and cheating begin?

I, for one, believe cheating begins once somebody breaks a rule. But Gladwell takes on the rules themselves. In doing so, he offers a beautiful example of how to cover a current news story with in-depth, well researched perspective.

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