Monthly Archives: January 2021

PODCAST EPISODE #81: Tomas Hoppough, solo video journalist, Scripps National

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After conducting this interview – and then listening back to it – I felt fired up to go out and tell a story.

I wanted to pick up my camera, put on an N95, get in my car, and do something great.

That’s the result of 45 minutes chatting with Tomas Hoppough.

He’s a solo video journalist with Scripps National, but that hardly describes the variety and quality of his work. He travels roughly every other week, mostly alone, with mirrorless cameras and lenses and the goal of two longform stories per trip.

He succeeds in that goal, and then some. He produces docu-style pieces that are vivid in both characters and aesthetics.

Tomas is my guest on Episode 81 of the Telling the Story podcast.

In the podcast, I mention several of Tomas’ stories. Check them out here:

  • Rising in Minneapolis: a powerful series of pieces with photojournalist Drew Snadecki in the aftermath of the death of George Floyd
  • Guns Down, Gloves Up: a half-hour special turned in less than two weeks after a powerful program in Virginia

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Nobody’s perfect, especially journalists. It’s OK for us to admit it.

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Maybe you’ve seen it scroll across your Instagram feed. Maybe you’ve heard it on a YouTube clip. But more than likely, if you’re in a field that involves creativity and craft – and journalism is absolutely such a field – you’ve become familiar with Ira Glass’ famous quote about the “taste gap.”

“For the first couple of years you make stuff,” Glass once said, “what you’re making isn’t so good. It’s trying to be good. It has ambition to be good. But it’s not quite that good. … A lot of people never get past that phase. … They quit. … It’s totally normal, and the most important possible thing you can do is do a lot of work – do a huge volume of work. … It’s gonna take you a while. It’s normal to take a while. And you just have to fight your way through that.”

It’s a critical message for creators, a light beam of faith from those who have clawed through the darkness. Keep working and creating, Glass tells us, and we’ll get to a place where our taste matches our ambition.

But I’m not sure if that place truly exists.

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Finding the power of the big picture in the pandemic grind

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There’s a line I sometimes recite when I feel I’ve reached a professional roadblock.

It’s a punchline from an eighth-season episode of Seinfeld, where George Costanza is trying to spin his meager life triumphs amid countless failures into a grand success story.

“You know,” he says, “if you take everything I’ve accomplished in my entire life and condense it down into one day … it looks decent!”

When I watched two decades ago, I laughed with everyone else. We’re supposed to laugh at George. The line is meant to mock him.

But these days, it’s become somewhat of a mantra, a reminder of the power of the big picture. When I feel stagnant in my career, I reflect on what I’ve accomplished and discover a lengthier list than I realized. When I’m shooting a story and don’t feel like I’m capturing what I need, I aim to stay focused and remember I might feel differently by day’s end. In the moment, I often dwell on mistakes and failures. In the aggregate, I see a career that, condensed into a few paragraphs, looks decent.

And in 2020, when limitations and frustrations loomed over every day, I leaned on George’s line – or, at least, the optimism within it – to push through.

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