the atlantic

3 GREAT STORIES: Starring advice, Roger Ailes, & a big ear

Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

A farewell guide to political journalism (9/2/16, The Atlantic): When several people I respect Tweet their love for a piece of journalism, I pay attention.

That’s why I clicked on this link, unaware of its subject matter or even its author.

But my expectations were exceeded.

The title here connotes a hot take or think piece mourning the death of political journalism. In reality, it is the opposite; retiring writer Ron Franklin offers the lessons he learned in three decades as a political journalist — lessons that will, one would hope, inspire his successors to keep pushing.

His most empowering takeaway? This paraphrased passage:

“Until that moment, I assumed the people we covered in politics valued pushover journalists. … That might be true on the small stories, but not for the stuff that matters. … I left the meeting knowing that if I ever returned to journalism, I didn’t want to be taken for granted liked the first reporter. I wanted to inspire in my sources … respect and fear.”

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3 GREAT STORIES: Starring pop songs, pizza, & football

Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

Hit charade (October 2015, The Atlantic): How much do you want to know about how a chef prepares your meal? What about how a litany of behind-the-scenes employees prepare your favorite songs?

The answers to the latter come from this absorbing article, written by Nathaniel Rich for The Atlantic (with a major hat-tip to author John Seabrook, whose book The Song Machine supplies much of Rich’s material). With no concern for spoiling or party-pooping, Rich dives into the factories that produce, with seeming cold-hearted machinery, an increasing number of the hits that grace the Billboard charts.

Much of this story’s success derives from its thoroughness; Rich, through Seabrook, dives into the subject with great detail. It shows in paragraphs like this, including some wit from a writer basically saying Santa Claus isn’t real:

Pop hitmakers frequently flirt with plagiarism, with good reason: Audiences embrace familiar sounds. Sameness sells. Dr. Luke in particular has been accused repeatedly of copyright infringement. His defense: “You don’t get sued for being similar. It needs to be the same thing.” (Dr. Luke does get sued for being similar, and quite often; he has also countersued for defamation.) Complicating the question of originality is the fact that only melodies, not beats, can be copyrighted. This means a producer can sell one beat to multiple artists.

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3 GREAT STORIES: Starring Atkins, custard, & Stuart Scott

Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

Getting back with carbs (1/9/15, The Atlantic): Sometimes it all comes down to tone.

Strike the wrong tone for a story, and it will stick out like a cactus spine.

Strike the right tone, and it will flow like a waterfall.

In this case, The Atlantic strikes it right.

James Hamblin authors this piece about the redesigned Atkins diet — It limits protein! It allows for carbs! — and treats it with all the skepticism of a Daily Show correspondent. The wariness is warranted, as Hamblin chronicles the history of the diet and its several mutations.

The article is informative and entertaining, and it is accompanied by cartoon graphics and a musing sub-headline, all the underscore the curiosity of its subject:

“The reinvented Atkins diet flirts with reason.”

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3 GREAT STORIES: Starring ATL, EW, and the inventor of Twister

Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

I always appreciate when a journalist can frame a familiar subject in a completely new light.

This applies to major issues, of course, but it also relates to more seemingly frivolous topics.

If a common thread exists among the following three stories from last week, it would be the storyteller’s ability to bring new appreciation to seemingly simple matters.

How you know where you’re going when you’re in an airport (6/12/14, The Atlantic): For the second straight year, I have purchased a book based on nothing but a brief passage.

Last year it was Andrew Carroll’s brilliant Here Is Where. This year it is David Zweig’s Invisibles.

And this passage is what got me to click “PURCHASE”.

Zweig tours the world’s busiest airport, Hartsfield-Jackson in Atlanta, and studies the meticulous ways in which its designers enable it to function without error.

(Almost without error, anyway. This is an airport we’re talking about.)

This particular selection is not long, but it remains informative and well written. A reader can choose to take the preferred next step — buying the book — or walk away having still gained a nice perspective into the inner workings of airports. (more…)

3 GREAT STORIES: On Facebook, journalism, & downtown Atlanta

Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

As the year nears its end, so does this segment — at least in a sense.

This entry is the final 2013 edition of “3 Great Stories” that focuses on original content. In the next two weeks, I will publish my favorite stories of the past twelve months, much as I did during the first six months of the year.

So, without further ado, here are three great stories from last week, a strong week in a very strong year for storytelling:

On second thought … (12/13/13, Slate): If you read this blog regularly, you know I am no stranger to using my life experiences — even my Facebook timeline — as inspiration for entries.

Naturally, I enjoy when other journalists do it, too … especially when they, as I try to do, springboard that inspiration into compelling work that affects a wider audience.

Jennifer Golbeck of Slate’s Future Tense blog does that here. She uses a friend’s question on Facebook — about whether the social media service tracks what you write, even if you don’t post it — and researches her way to a provocative think-piece about user privacy. She finds a study in which the authors, both Facebook employees, freely admit to mining our un-posted writing and using it for their own research.

Golbeck articulates, at her entry’s end, why Facebook users should be alarmed by this:

Facebook studies this because the more its engineers understand about self-censorship, the more precisely they can fine-tune their system to minimize self-censorship’s prevalence. This goal — designing Facebook to decrease self-censorship — is explicit in the paper. So Facebook considers your thoughtful discretion about what to post as bad, because it withholds value from Facebook and from other users. Facebook monitors those unposted thoughts to better understand them, in order to build a system that minimizes this deliberate behavior.

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3 GREAT STORIES: Starring Veterans Day and an Atlanta documentary

Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

I generally try to avoid using this space to promote the work of my colleagues at WXIA-TV in Atlanta. It would almost be too easy; the reporters at my station constantly impress me with their thought-provoking and emotional work.

This week I made an exception.

One of the “3 Great Stories” of the week is a long-form documentary that ran on our station on Friday. We tackled a harrowing topic in a big way, and our work made a tangible impact.

But first, I found myself divided on two terrific stories involving veterans — stories that would seem to contrast each other in terms of mentality.

Help veterans by taking them off the pedestal (11/10/13, The Atlantic): Veterans Day brings with it a cavalcade of celebrations, ceremonies, and commemorations of those who served in the U.S. military. It also typically brings, from a storytelling standpoint, reflexive pieces that unquestionably honor those who risk their lives in our country’s name.

Rarely does one find a story that questions that mindset — and does so with thought-provoking effectiveness.

But that’s what Alex Horton, a one-time infantryman in Iraq, does here.

Horton makes a compelling argument that, by putting veterans on a pedestal, our society is unintentionally hindering them. We tend to view veterans, Horton says, in one-dimensional terms — either as sacrosanct heroes or risky choices to serve us in civilian life. I particularly appreciated an early paragraph where he recounts discussions with members of the Greatest Generation:

I once talked to a World War II veteran about the experience of attending college after coming home, and asked if it was jarring to sit next to those who never served. I wondered if veterans huddled together under the umbrella of mutual understanding and thought less of civilians who never shouldered a rifle. His answer was surprising. They were proud of their time in uniform, he said, but for many, the war interrupted their lives, and education was a return to normalcy. Instead of a victory lap, they were more interested in getting back on track.

Very deep stuff here … bringing complexity to what is often viewed in simpler terms.

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