child

I’m a new father. And I’m aching to control time.

Last month I became a dad. I wrote this journal entry seven days later and felt it encapsulated my feelings a week into fatherhood.

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Time moves too slow. A new father sits in the dark, his three-day old daughter in his lap. It’s 2 AM. His daughter cries in minute-long spurts and tries to worm her arms out of her swaddle blanket. Dad counters each move while trying to keep his daughter calm and, more importantly, quiet.

Time moves too fast. Yes, I wanted Olivia to stop crying and start sleeping. But even in a half-open-eyed slumber, I wanted to savor the moment.

Mom is sleeping in their bedroom, he hopes. They spent the previous hour pacing around the apartment, cycling through potential causes of the high-pitched pierce they’re sure has awakened their neighbors. But they don’t both need to stand guard. One can sleep while the other sits. Dad volunteered to sit. He wills his eyelids to stay up.

Everything about parenthood so far has been a fight for control. My wife and I have tried in vain to develop a routine. We have scraped together hours of sleep, first at the hospital and now at home. We have learned on the fly how to feed, clothe, change, and swaddle a tiny human who three days earlier existed only in the womb. We should want to fast-forward through this time and get to the good stuff: walking, talking, eating pizza, playing soccer, going to the prom. But then I look at Olivia, and I want time to freeze. Even when she cries, she seems perfect. She is untouched by the world and cocooned by her parents. At least that’s how it feels.

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3 GREAT STORIES OF THE WEEK: Starring a kidney transplant, an NFL war room, and a big move

Every week, I will shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

Telling different kinds of stories requires equally varied ranges of sensitivity. Some require tenderness and care; others require aggression and investigation.

Most stories, no matter what kind, require the attention and discipline to capture the emotions of the parties involved.

This past week, I saw three pieces that stood out because of the storyteller’s ability to convey the emotions of the scene:

Heartwarming gift: Inside a little girl’s kidney transplant (5/6/13, WJW-TV Cleveland): This piece is somewhat simple in scope: the sights and sounds as a teacher donates a kidney to one of her students. Reporter/photojournalist Annette Lawless presents it in documentary form, somewhat; she keeps herself out of it and lets the people speak for themselves.

This is a bold decision … and it really works.

Lawless captures the before, during, and after of the transplant, including many of its powerful moments. But she really shines in terms of presentation: from the time-lapse at the beginning to the quick cuts in the waiting room that transition from scene to scene. With these moves, without saying a word, she drops the viewer right in the world of the story.

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