tina mcelroy ansa

3 GREAT STORIES: Starring James Brown, Times Square, & airports

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Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

The whitewashing of James Brown (8/5/14, Huffington Post): Each of the “3 Great Stories” this week were alerted to me by others, each through social media.

I read about this article from one-time “3 Great Stories” honoree Tina McElroy Ansa, who Tweeted about it a few days ago. I became a big fan of Ansa’s when I discovered a speech of hers on The Moth, and she recommended a powerful piece here.

Screenwriter Gregory Allen Howard pens an op-ed for the Huffington Post about the startling lack of black voices behind biopics of black figures. Using the new James Brown movie as a starting point, Howard dissects an all-too-familiar situation =:

Indeed, all the producers, writers, and the director of the James Brown movie are white. No black people were hired until a few weeks before the cameras started rolling, the actors. In fact, several of the people involved in this whitewash are British.

The opening of Get On Up has triggered several articles to this effect, and they make powerful and valuable statements. Howard does several things here: (A) fight for his idea about Brown’s legacy, (B) lament the “Hollywood apartheid” against black filmmakers, and (C) provide enough background and hard data to make both points. (more…)

3 GREAT STORIES OF THE WEEK: Starring a kidney transplant, an NFL war room, and a big move

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Every week, I will shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

Telling different kinds of stories requires equally varied ranges of sensitivity. Some require tenderness and care; others require aggression and investigation.

Most stories, no matter what kind, require the attention and discipline to capture the emotions of the parties involved.

This past week, I saw three pieces that stood out because of the storyteller’s ability to convey the emotions of the scene:

Heartwarming gift: Inside a little girl’s kidney transplant (5/6/13, WJW-TV Cleveland): This piece is somewhat simple in scope: the sights and sounds as a teacher donates a kidney to one of her students. Reporter/photojournalist Annette Lawless presents it in documentary form, somewhat; she keeps herself out of it and lets the people speak for themselves.

This is a bold decision … and it really works.

Lawless captures the before, during, and after of the transplant, including many of its powerful moments. But she really shines in terms of presentation: from the time-lapse at the beginning to the quick cuts in the waiting room that transition from scene to scene. With these moves, without saying a word, she drops the viewer right in the world of the story.

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