11alive

A storytelling lesson, from the heart of the country

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I had nothing.

I was driving this past Thursday up to Jasper, Ga. — population 3,684 — with a potentially great story on my hands. We had learned of a woman who was born with congenital heart disease but had beaten the odds — and open-heart surgery — to play tennis in high school. She never received her letter jacket, though, but would get it in an honorary ceremony … 38 years after the fact.

If everything went well, I would leave Jasper that day with a touching moment — a woman earning a small victory after a lifetime of hardship. It would undoubtedly make for a great ending.

But everything until the ending? I had nothing.

Let me explain. I spoke with the woman in question — a lovely lady named Fredia Watkins — the day before. I wanted to interview her before the big ceremony, get some B-roll that would give viewers a window into her personality, and capture the necessary footage to compellingly tell her story to set up the climactic moment.

But Fredia did not want to do the interview at her home. Her husband recommended we do it in the conference room of his workplace, and we agreed to meet there the following morning.

A quick but important note: conference rooms are the most sterile, uninteresting places in any office. From a videojournalism standpoint, they are the opposite of what you want.

And I did not want this. (more…)

5 lessons learned from 5 years reporting in Atlanta

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Last week I celebrated a very special anniversary:

My Atlanta-versary.

I have officially lived and worked in Atlanta, Ga. for five years. I have not lived anywhere this long since high school, and I have enjoyed the chance to truly settle down and plant roots in a major U.S. metropolis.

(That chance, by the way, is by no means a guarantee when one dives into the field of broadcast journalism. I have appreciated that fact from the moment I arrived in ATL.)

In both journalism and life, my time in Atlanta has been pivotal.

My first few TV jobs came with a seemingly endless variety of responsibilities and opportunities. I worked in both news and sports, filled numerous roles in each department, learned my strengths and weaknesses, and developed my identity as a journalist and storyteller.

When I was offered a job at WXIA-TV in Atlanta, I noticed a few obvious differences. I would only work in news, not sports, and I would be surrounded by a staff of veteran journalists, most of whom largely served specific roles had logged far more miles than their newest colleague.

My life outside the newsroom also changed dramatically. Always one to explore the regions where I lived, I found myself bombarded by the excitement of a bustling big-market city. Even five years later, Atlanta never fails to keep me busy and engaged, with opportunities to blossom socially and civically.

Combine those changes with the natural maturity of an adult in his late 20’s and 30’s, and it adds up to an invaluable half-decade in the Peach State.

So what exactly have I learned? I could never fit it all into one article, but here are five major lessons from the last five years that have strengthened my work as a journalist: (more…)

MY OLYMPICS JOURNEY: Ten observations from the first five days

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Five days in Sochi have felt like both five minutes and five years.

Days fly along at the speed of a bobsled, with reporters and photojournalists – or, in my case, both jobs in one – churning out content for all forms of media.

And yet, because those workdays are so long, and because they are bombarded with so many new experiences, they make the recent past seem distant. My flights from Atlanta to Sochi seem many moons, and many stories, ago.

Here are ten observations from my first five days:

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1. The Olympic sites are, in fact, quite gorgeous. Sochi has a peaceful charm, with the Black Sea on one side and the Caucasus Mountains on the other. The mountains themselves are stunning up-close, specifically around the Olympic village and ski venues.

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2. But I’m still waiting for that kick of Russia. I lamented in Thursday’s entry the struggle to find authenticity in any of it. Other than the natural wonders themselves, the entire outfit seems both temporary and out of place. The many beautiful buildings and arenas have been built specifically for the Olympics; they seem ill-fitted for when the Olympics leave. I have a hard time admiring the buildings’ beauty without wondering about their long-term purpose.

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MY OLYMPICS JOURNEY: A tale of two Atlanta bosledders

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The state of Georgia, with its scorching summers, may not seem like a hotbed of the bobsled.

And yet, in the past five years, the Peach State has produced two of America’s best.

Getting to know them has been a fascinating part of my Olympics journey.

I met Elana Meyers in 2009, months before she won the bronze medal in bobsled in the 2010 Winter Games. I followed her through the journey, from training in Lake Placid through her post-medal celebration in Vancouver. I interviewed family members and learned a great deal about her path to Olympic success.

But in the past four years, I have received a fuller picture.

Meyers is an active presence on Twitter and in the blogosphere. In fact, so are many of her teammates and fellow Olympians. And these athletes, unlike those in the major American sports, use their online platform to go into great detail about their lives.

And the lives of winter sports athletes are extremely atypical — and, some might say, full of contradictions.

First, consider this: Athletes like Meyers are professionals and among the best in the world at their sports. They shine on the world’s largest stage every four years; they receive access to some of the most advanced sporting equipment and technology; and they get to travel the world annually during their sports’ seasons.

Now, consider this: Athletes like Meyers often have to work part-time jobs to raise money for extra gear. They have a six-month off-season in which many study at online universities for their degrees. They rarely receive endorsements, have to hunt for sponsors, and, except for the Olympics, toil in anonymity despite their elite level of competition.

Perhaps that’s why athletes like Meyers put themselves out there online. They offer a window to anyone who is interested into their truly unique existences.

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My favorite entries of 2013

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From a career standpoint, I will remember many things about 2013.

I did a great deal of traveling, took part in several extraordinary long-form projects, and continued to grow as a journalist and storyteller.

On top of that, I started this blog.

I have greatly enjoyed and appreciated the opportunity to develop the “Telling The Story” blog, particularly because of the dialogue it has generated. I look forward to continuing it as 2013 ends and 2014 begins.

For now, here is a look at my favorite entries from the year that was. I will take next Wednesday off for the new year, and then I will ramp up the content for 2014.

Without further ado, my five favorite pieces from 2013:

Introduction: The Storyteller’s Manifesto — This is the piece that started it all. If you want to know the spirit behind this blog, this is the entry to read.

Ten years later: what I learned (and didn’t learn) at J-school — Upon my ten-year anniversary of my final class at college, I look back on my evolving feelings on what I learned there. This got a lot of reaction from my friends in both the journalism and Northwestern University communities.

The search for Evan Gattis, and the journey of journalism — This is one of those examples of my behind-the-scenes journey as a storyteller. In this case, the journey involves a trip across the state of Texas to tell the story of a rising Major League baseball star.

The Emily Bowman story, and finding honesty amidst heartbreak — Thousands have read this story that looks at another of my pieces for WXIA-TV, this time on the tragic story of a Georgia teen named Emily Bowman. It’s worth a read to learn more about the inner conflicts often faced by journalists.

5 lessons from the Best American Sports Writing of 2013 — I posted this entry earlier this month. Journalists can always learn from other journalists; here, take a look at what I learned from some of the best written work in sports journalism.

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PODCAST EPISODE #13: “Best Of” Advice Edition, 2013

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This year has been a blast.

Since launching the Telling The Story podcast in April, I have interviewed twelve great journalists and storytellers about their work.

With the year wrapping up, I decided to take a look back.

I compiled some of the best moments from the past year into a “Best Of” advice edition of the Telling The Story podcast. Hear from eight terrific storytellers about their thoughts on what makes a great storyteller, such as:

  • Jon Shirek: my first podcast guest and my co-worker at WXIA-TV in Atlanta
  • Anne Herbst: a versatile news photographer and now assistant chief photographer at KDVR-TV in Denver
  • Matt Detrich: a longtime staff photographer at the Indianapolis Star
  • Andrew Carroll: the author of the fascinating new book, Here Is Where
  • Roman Mars: the esteemed host of 99% Invisible, and my most popular podcast guest to date
  • Erin Brethauer: multimedia editor of the Asheville Citizen-Times, and — for a week this year — the overseer of the New Yorker’s Instagram account
  • Tomas Rios: a self-described paid-lance sportswriter whose work has appeared in Slate and Deadspin
  • Rachel Hamburg: a recent graduate of Stanford and the managing editor of the Stanford Storytelling Project

It’s a solid group of storytellers, and they offer some great advice.

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The death of Nelson Mandela, and the speeding cycle of news

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At around 5:00 EST on Thursday, my news feed on Facebook filled up about the same topic.

Nelson Mandela had passed away.

For the next hour or so, friends shared the news of the civil rights leader’s passing; several of them posted a favorite quote or moment from Mandela’s life.

And then, a few hours later, my news feed was virtually Mandela-free.

Everybody seemed to have moved on — mostly to Carrie Underwood and NBC’s live production of The Sound of Music. Nelson Mandela may not have been the last thing on people’s minds, but, it seemed, he was no longer the first.

The next morning, Mandela was no longer the top story when I checked various news updates and home pages.

At that moment, I wondered: Does the news world — heck, the world itself — move too quickly? I was not sure, but I found it hard to believe that the death of an international legend could so swiftly lose its power and impact.

But then, something else arrived.

Stories.

Stories with perspective.

Stories like the pieces I mentioned in my “3 Great Stories” column earlier this week. Stories like the long-form obituaries and personal memories that perhaps got lost in the shuffle when they were initially released.

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My Thanksgiving thank-you column

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I started this blog nine months ago not knowing what to expect.

I was not sure whether anyone would read it; I was not sure I would be able to commit to it; and I was not sure if doing it would ultimately feel as rewarding as I hoped it would be.

Nine months later, I am happy to answer “Yes” to all three questions.

Developing the “Telling The Story” blog has been a great experience so far. And while it has mostly been a solitary experience — I run a relatively autonomous ship over here — it has allowed me to engage with people in a variety of ways across the media landscape.

At this time of taking stock and giving thanks, I would like to give my thanks — both verbally and through links — to the many people who have helped enrich both the blog itself and my personal experience in writing it:

Thanks to my bosses. This blog exists in part because of the blessings of the higher-ups at my full-time job. I am proud to say that I have done some of my best work yet for 11Alive/WXIA-TV this year, and I think I have improved as a storyteller because I constantly examine storytelling in this space.

Thanks to my podcast guests. I am greatly appreciative of the 13 individuals who have taken their time to be interviewed for my Telling The Story podcast. Of those 13, eight of them had never met or spoken with me before, and in many cases I was pleasantly surprised with how quickly they responded and set up an interview.

Case in point: my most recent guests, Joe Brewster and Michèle Stephenson, the filmmakers behind the powerful documentary American Promise. I watched the film on a Saturday night, contacted them Sunday morning, heard back less than an hour, and interviewed them that Tuesday.

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3 GREAT STORIES: Starring Veterans Day and an Atlanta documentary

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Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

I generally try to avoid using this space to promote the work of my colleagues at WXIA-TV in Atlanta. It would almost be too easy; the reporters at my station constantly impress me with their thought-provoking and emotional work.

This week I made an exception.

One of the “3 Great Stories” of the week is a long-form documentary that ran on our station on Friday. We tackled a harrowing topic in a big way, and our work made a tangible impact.

But first, I found myself divided on two terrific stories involving veterans — stories that would seem to contrast each other in terms of mentality.

Help veterans by taking them off the pedestal (11/10/13, The Atlantic): Veterans Day brings with it a cavalcade of celebrations, ceremonies, and commemorations of those who served in the U.S. military. It also typically brings, from a storytelling standpoint, reflexive pieces that unquestionably honor those who risk their lives in our country’s name.

Rarely does one find a story that questions that mindset — and does so with thought-provoking effectiveness.

But that’s what Alex Horton, a one-time infantryman in Iraq, does here.

Horton makes a compelling argument that, by putting veterans on a pedestal, our society is unintentionally hindering them. We tend to view veterans, Horton says, in one-dimensional terms — either as sacrosanct heroes or risky choices to serve us in civilian life. I particularly appreciated an early paragraph where he recounts discussions with members of the Greatest Generation:

I once talked to a World War II veteran about the experience of attending college after coming home, and asked if it was jarring to sit next to those who never served. I wondered if veterans huddled together under the umbrella of mutual understanding and thought less of civilians who never shouldered a rifle. His answer was surprising. They were proud of their time in uniform, he said, but for many, the war interrupted their lives, and education was a return to normalcy. Instead of a victory lap, they were more interested in getting back on track.

Very deep stuff here … bringing complexity to what is often viewed in simpler terms.

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Tad and Mary, and the quest to capture emotion on camera

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It’s a sad but true hurdle about working as a TV news reporter:

People act differently — often way so — when they know they are being recorded.

Generally, this rears its head when trying to gather information on touchy subjects. Sources and contacts will often divulge far more after an interview than during it, and they feel much freer to provide information when they know they will not be taped saying it.

(This happens before interviews as well. Journalists everywhere can recall countless times when they spoke with someone on the phone, received valuable insight or information, and then asked that person to say the same thing in an on-camera interview, only to be told, “Whoa, whoa … I can’t say that on camera.”)

But the gaze of the lens does not just affect a story’s flow of information. It affects a story’s flow of emotion.

People get nervous or hesitant for a whole host of reasons once they know they will be recorded. For the most part, they simply do not have experience with having their actions documented, and often they respond by behaving how they feel they “should” behave, instead of how they genuinely want to behave.

For storytellers like myself who specialize in emotional stories, this creates a giant challenge.

But when you surmount that challenge and capture genuine emotion — and put your viewers in a position to appreciate that emotion — you feel tremendous about what you can achieve in this business.

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