new york times

3 GREAT STORIES: Starring Malaysia Airlines & Tom Emanski

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Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

After the crash (7/18/14, New Yorker): In the immediate aftermath of Thursday’s crash of Malaysia Airlines Flight 17, more questions existed than answers.

The best reporting involved a certain amount of restraint — namely, resisting the temptation to jump to conclusions.

Credit the New Yorker’s David Remnick, then, for this column the following day. He provides perspective by interviewing a former PR man for Vladimir Putin and Boris Yeltsin, choosing to take a macro view of the crisis in Ukraine rather than specifically dissecting the crash. And before U.S. government officials — and even President Obama — weighed in with their thoughts, Remnick warned of the dangers of assuming before investigating:

But let’s stop here and register the proper cautions and caveats: There has been no investigation, no conclusive proof. (And there won’t necessarily be a proper and convincing investigation, either, considering the deliberately chaotic and militarized state of eastern Ukraine these days, and Russia’s clear interests.) We shouldn’t pretend to know for certain what we don’t.

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The theory and reality of “the right to write”

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I was recently told about a group of friends in New York who get together regularly to discuss Socratic questions.

Essentially, they meet at a bar or restaurant, and one member of the group will toss out a question, typically about matters of philosophy or life. Then, the group discusses the question.

It’s a simple idea — and, in the right light, kinda cool.

Sometimes I think it might be a worthy idea for journalists. I have lamented before how we can easily get caught up in the day-to-day grind of the business without examining its larger questions and possibilities. Maybe we all need to take a little time, individually and collectively, to think big.

I read an article this past weekend that got me thinking big … or, perhaps more accurately, thinking Socratic.

Roxana Robinson of the New York Times wrote a column for the newspaper’s Opinionator blog, entitled “The Right to Write”. She discusses a seemingly simple question: “who has the right to our stories?” (more…)

3 GREAT STORIES: Starring Kendrick Lamar, Jeff Bezos, & the subway

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Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

Kendrick Lamar, Hip-Hop’s Newest Old-School Star (6/25/14, New York Times): In terms of traditional print journalism, few outlets are doing it as well right now as the New York Times.

This is not meant as a backhanded compliment, or an indication that somehow the capital-T Times is not advancing with the lowercase-T times.

But when media critics ponder how storytelling can survive in such a frenetic landscape, they should point to articles like this, where Times writer Lizzy Goodman uses her backstage access to rapper Kendrick Lamar to pen a multi-dimensional, poignant, and powerful portrait.

Similar artist profiles often read like press releases; you can smell the transaction of access for favorable coverage. Not here. Goodman parallels Lamar’s no-frills music with his similar approach behind the scenes, and she documents numerous revealing moments — such as when, while on tour with Kanye West, the two hip-hop stars only meet once, and it seems like a far bigger deal for their entourages and videographers than for the artists themselves. (more…)

3 GREAT STORIES: Best of 2014 (so far), written edition

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Every week, I will shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

I am on vacation — and out of commission — for the next two weeks, so I figured I would use these weeks to post “Best Of” editions of my 3 Great Stories segment.

I will post my three favorite audio/video stories of the year so far next week. This week, without further ado, my three favorite written pieces from January through May, along with what I wrote about them back then, with minor edits for clarity:

A star player accused, and a flawed rape investigation (4/16/14, New York Times): Wow.

This is how you research, write, and present a piece of investigative journalism.

Instantly one of the most widely spread articles of the year, Walt Bogdanich’s in-depth look at the Jameis Winston rape investigation produces incendiary highlights throughout. From interviews with relevant parties to a timeline of the events in question, Bogdanich offers a thorough look at what was done — and what was missed — throughout the aftermath.

No wonder the article has invoked such a reaction — both from Florida State, where Winston just led the football team to a national title, and from readers, many of whom followed the Winston coverage intently last fall. (more…)

3 GREAT STORIES: Starring India, Michael Jackson, & therapy dogs

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Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

I struggle some weeks to fill this space.

Namely, I struggle, amidst the ocean of journalism, media, and content available online, to find three pieces from a given week that obviously stand out.

This week, I had no trouble.

The following are three great stories from last week, each of which pushes the bar higher in its own way:

Hopes of a generation ride on Indian vote (5/15/14, New York Times): The New York Times is really figuring it out.

For years online content providers have tried a slew of different methods of creating distinct forms of journalism and storytelling. Many advances have focused heavily on technology — interactive maps and graphics, reader polls, etc. — but few have offered a blueprint for aiding the reader in a natural way.

The above article is an example of when online storytelling techniques elevate an already powerful story.

Times writer Ellen Barry gracefully captures the mood of the Indian electorate, in the days and months before this past week’s momentous national elections. Her work receives a great boost from the screen-wide photos and video provided by Daniel Berehulak. This feels like a magazine article, but it brims with vibrancy and emotion because of the layout — and power — of the visuals.

It is an all-around terrific piece. (more…)

3 GREAT STORIES: Starring FSU, lists, & Gabriel Garcia Marquez

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Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

The only obviously common thread between the three stories below is that they were all written.

I offer no TV pieces this week, nor anything from radio or video. I have selected three pieces that appeared on the Internet this week; one is the online edition of a print story, one is a web exclusive, and one is a republished magazine interview from 33 years ago.

The only other common thread? They are all insightful and memorable.

A star player accused, and a flawed rape investigation (4/16/14, New York Times): Wow.

This is how you research, write, and present a piece of investigative journalism.

Instantly one of the most widely spread articles of the week, Walt Bogdanich’s in-depth look at the Jameis Winston rape investigation produces incendiary highlights throughout. From interviews with relevant parties to a timeline of the events in question, Bogdanich offers a thorough look at what was done — and what was missed — throughout the aftermath.

No wonder the article has invoked such a reaction — both from Florida State, where Winston just led the football team to a national title, and from readers, many of whom followed the Winston coverage intently last fall. (more…)

3 GREAT STORIES: Starring “Mercer 78, Duke 71”

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Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

A significant role of the media is to chronicle the major events of our society.

If something captures the attention of the nation this week, I should ideally be able to look back in five years and remember how we all discussed and covered it.

And I should also be able to relive how the various spectacles and sideshows that surrounded it.

In the moment, though, we tend to share the spectacles and sideshows as much as the actual events.

This past Friday, 14-seed Mercer stunned the Duke Blue Devils in the first round of the NCAA Tournament. Online the following day, I saw a slew of articles getting shared about it — not about the game, but about what made it more than a game.

Here are three such stories that did their job exceedingly well:

Duke loses, world wins (3/21/14, New Yorker): How strange for staffers at the New Yorker to see this article atop its “Most E-Mailed” list.

Despite some strong competition in the Top 5, this was Number 1.

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3 GREAT STORIES: Starring travel, salt flats, and a loyal soldier

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Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

What is the most effective way to inform others about travel?

Is it through a photo gallery? A beautifully written essay? A video?

As the media landscape keeps trending toward multimedia and interactive storytelling, storytellers of all genres are presented with the challenge of mastering it all. Perhaps one story is best told through the written word, perhaps another through audio or video, and yet another as a combination.

This is particularly true with travel stories, where the visuals are often stunning but the experiences are often complex and powerful.

Take a look at two different ways of telling similar stories, along with one heartfelt memorial to a “ragged soldier”:

Impossible Rock (January 2014, National Geographic): Here is what you might call the “traditional” way to tell a travel story.

Mark Synnott of National Geographic documents his journey to the top of a mountain in Oman with a pair of twenty-somethings; all three are avid climbers, though Synnott fills his pack with a little more trepidation.

For me, Synnott is most effective in this piece when describing the non-climbing parts of the trip, such as his interplay with the locals. Within these asides and vignettes are moments that could not possibly be fully captured with a photo. They are best told verbally.

He describes the hike with similar gusto, but here I really benefited from the story’s attached photo gallery. (I am assuming, of course, that photos were featured far more prominently in the magazine story than they are online.) A link in the top left corner of the page directs the reader to the work of photographer Jimmy Chin, whose dramatic snapshots truly drive home the daring nature of the climbers.

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3 GREAT STORIES: Starring the power of a good headline

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Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

In an advice column for journalists published more than a decade ago, Rick Reilly wrote about the importance of the lead. If you don’t grab your audience in your first paragraph, Reilly said, they will not stick around to appreciate all the content that follows.

One could easily extrapolate that concept to include the headline.

These days, headlines are huge. We are bombarded with them and make snap judgments about whether to click on articles based on them. Content providers across the globe are trying to figure out the ways to get their headlines noticed and search-able, let alone just plain interesting.

This week, I present “3 Great Stories” that captured me with their headlines — and then kept me with their content:

Inside the race to rescue a health site, and Obama (11/30/13, New York Times): This is a near-perfect headline.

It sets the stakes for the story — and what high stakes they are! It also sets the standard for the article’s content; a reader can expect right away to be treated to a look behind the tightly closed doors of the White House.

The article does not disappoint. Sheryl Gay Stolberg and Michael D. Shear begin the piece by delving into a critical October meeting in which President Barack Obama was fully alerted to the problems of the Affordable Care Act’s web site. Stolberg and Shear begin their article from a place of major tension, gripping the audience early and holding it for seven web pages worth of paragraphs.

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The joys and perils of writing for free

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As I write this entry, the sun has not yet come up on a Saturday morning.

This has become my habit. Typically, after a long workweek and a nice Friday night out, I fall asleep quickly and wake up early, seemingly before the rest of the world — or, at least, ahead of the sun.

I get up, write my blog entries for the week, and then begin my weekend.

And I do it all for free.

This, of course, was the choice I made when I started this blog. I did not have a problem with it then, nor do I now. Eight months in, I have truly enjoyed watching this site develop; as I Tweeted last week, it has now been read in all 50 states along with 88 countries. Meanwhile, I possess a steady, satisfying full-time job in journalism that fulfills me financially as well as in other ways.

In short, I do not feel cheapened by giving these entries away for free.

But then there’s this.

Last week Tim Kreider wrote an article for the New York Times entitled, “Slaves of the Internet, Unite!”. He bemoaned the number of writers and artists willing to do their job for free, especially when asked by others (not necessarily when self-publishing blogs). Kreider is a terrific writer in his own right, peppering his column with vivid imagery and painfully funny anecdotes. Here is a choice example:

People who would consider it a bizarre breach of conduct to expect anyone to give them a haircut or a can of soda at no cost will ask you, with a straight face and a clear conscience, whether you wouldn’t be willing to write an essay or draw an illustration for them for nothing. They often start by telling you how much they admire your work, although not enough, evidently, to pay one cent for it.

Kreider’s column drew more than 650 comments and more than a few follow-ups from around the Internet. One such “Here, here!” came from my old guitar teacher, Michael Kovacs, who criticized a similar atmosphere in the music business:

I am not going to say that all new Music sucks. … I am not going to say that nobody goes to live shows … But I will say this: the value placed upon Music has, by all quantitative measures, reached a low point that nobody had seen coming. … No medium can truly grow when the makers of it are not given some affirmation of its value by the outside world.

This is the point I would like to examine.

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