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PODCAST EPISODE #34: Ben Garvin, photographer, KARE-TV

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When I first started this blog, many newspaper photographers were staring into a future of cutbacks, layoffs, and competition with everyone’s iPhones.

Ben Garvin surveyed the landscape from his perch at the St. Paul Pioneer Press. In 2007 he was named Minnesota Photographer of the Year. In 2011 he was named Journalist of the Year by the Minnesota chapter of the Society of Professional Journalists.

Despite the accolades, Garvin knew he was not immune from the large-scale changes occurring across the industry.

But this past year, he found refuge by switching lanes.

Garvin still works as a still photographer, but now he does it for a TV station: KARE-TV in Minneapolis/St. Paul.

And he does it with an innovator’s spirit. Last week I shouted out Garvin in my 3 Great Stories segment for a sweetly touching piece about a grandfather and grandson spending the day together at Vikings training camp. Technically Garvin produced a video, but it consisted strictly of still photos with audio weaved in from Garvin’s interviews.

Garvin is my guest on Episode #34 of the Telling The Story podcast.

Speaking to me from a swing on his porch (!), Garvin discusses a variety of subjects: the ability to be a hybrid in today’s media world; the importance of photographs in social media; and the versatility required to succeed on a higher level.

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3 GREAT STORIES: Starring Bill Cosby, Beijing, & the Vikings

Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

“I’m no longer afraid”: 35 women tell their stories about being assaulted by Bill Cosby, and the culture that wouldn’t listen (7/26/15, New York Magazine): Strength in numbers has rarely seemed so personal.

This piece, written by Noreen Malone of New York Magazine with a portfolio by Amanda Demme, may go down as the definitive story about the many accusations of rape facing comedian Bill Cosby. At the very least, it became a viral sensation this past week for its sheer volume: 35 Cosby accusers stand both together and individually, offering their personal recollections while painting a brutal picture of the once-beloved actor.

Two facets of this story stand out. First, the research: one does not simply get 35 women to come forward publicly about this kind of subject. This undoubtedly required time, effort, and trust, which all show in the resulting piece.

But I also admire the thought that went into how the publication would present this. Everything is done both powerfully and tastefully, right down to the cover photo: the 35 accusers all sit on individual chairs, with an empty seat at the end. Malone, meanwhile, provides poignant context throughout her article, which is a difficult but important read.

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