photography

3 GREAT STORIES: Starring two tales of heartbreak and one of the World Series

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Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

The most powerful stories I saw this week were also the most heartbreaking.

Some people have true difficulty reading tales of heartbreak; they struggle with the depressing content, particularly when that content does not include a call to action or a way to channel their anger or frustration.

I understand that completely, but I try to look at it differently. I try to appreciate these stories for their place in our wide world; I cannot necessarily do anything about them, but I can at least be informed and aware of them.

I have included two such stories this week, along with a far more frivolous essay about the World Series, for good measure …

Hidden city (10/21/13, New Yorker): Even in terms of difficult stories, this one is a struggle.

New Yorker writer Ian Frazier puts together nearly 10,000 words about the rising number of homeless in the Big Apple. I — like many, I’m sure, who read this piece — was stunned by that fact. I grew up in the shadow of New York City and still visit it 3-4 times a year. I see fewer traces of homelessness every time I go, but obviously I suffer from the same bias as many quoted in Frazier’s story.

I take this problem personally, having once chronicled my own by-choice 24-hour stay at an Atlanta homeless facility. Frazier tells the story without much dressing or fanfare; he simply tells it as it is, which is plenty horrifying already.

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3 GREAT STORIES: Starring storytelling through photographs

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Every week, I shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

Being on vacation has a way of making you appreciate our golden age of photography.

I just returned from a week in Italy — my first time visiting the legendary and exquisite cities of Rome and Florence — and was again reminded of how easily I can capture the moments of my life. For all the photos I took of the profound scenery (like the one above), I also took a large amount with the goal of recording memories. And because I possessed a strong digital camera with a 3,000-photo memory card, I did all these with great ease and little concern for whether I would run out of film.

To be honest, I didn’t really need the camera or the memory card. I could have taken all those photos on my cell phone.

But for all the free-wheeling sharing of photography that occurs today, I still find myself frozen with awe when I see a truly beautiful picture. I have begun subscribing to feeds that curate photography in a powerful way, and on certain weeks, those feeds provide some of the most memorable stories I see.

Without further ado, here are three great photography posts from last week. Are they newsworthy or timely? Not necessarily. Instead, they are timeless, as a great photograph should be.

Daily life: September 2013 (10/2/13, The Big Picture): I have mentioned The Big Picture many times, and they deserve a mention in any column that touts excellence in photography.

Entries like these are huge reasons why.

The editors at The Big Picture obviously possess keen eyes for photos, but they also possess the ability to properly curate those photos. Witness their monthly “Daily Life” series, specifically this week’s post showing images from the past month. The 34 photos have little that tie them together, apart from two qualities: they all fall into the category of “daily life”, spanning an array of places across the globe to do it, and they all feature masterful craft behind the camera.

Put them all together, and you have a rewarding product.

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PODCAST EPISODE #7: Erin Brethauer, Asheville Citizen-Times photographer & New Yorker Instagrammer

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The New Yorker is typically known — at least in terms of its visuals — for displaying only the highest-brow material.

(After all, this 17-year-old episode of Seinfeld can’t be wrong …)

But the publication is now making waves because of how it utilizes a much more for-the-masses technology.

Check out the New Yorker‘s Instagram account. The magazine has more than 82,000 followers there, and every week its editors hand the reins to a different photographer — one not affiliated with the publication — to spotlight an important cause.

This is where we find the latest guest on the Telling The Story podcast.

I am joined this week by Erin Brethauer. By day, she is the multimedia editor and a staff photographer for the Asheville Citizen-Times. By night, by weekend, and by numerous other times, she puts her photographic hands in numerous other projects.

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Newspaper photographers, and how the Sun-Times, iPhones, & Internet relate

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An interesting discussion took place on Twitter after I posted my most recent podcast.

I interviewed Matt Detrich, a staff photographer for 15 years with the Indianapolis Star, about the role of traditional photography in the changing newspaper landscape. The podcast seemed especially relevant since, a few weeks earlier, the Chicago Sun-Times fired all of its photographers. Newspaper officials will instead rely on freelancers to cover major events and reporters to shoot photos and video with their phones.

Said Detrich, among other things: “I really can’t wrap my head about why they would dismantle one whole department … and such a special department for a newspaper.”

A few days later, Tom Spalding — a former Indy Star employee and current board member at Indy Social Media, a social media web site — Tweeted this:

Fourteen minutes later, Spalding’s fellow Indy Social Media board member Chris Theisen responded with this:

That led to the following exchange between Detrich, Thiesen, and Spalding:

My response to each of these Tweets? I agree.

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PODCAST EPISODE #4: Matt Detrich, staff photographer, Indy Star

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Last month, a group of work colleagues and I visited the Newseum in Washington, D.C. The museum features numerous exhibits, many of which are both informative and absorbing. But one exhibit stood out above all:

The Pulitzer Prize-winning photos.

On the first floor of the Newseum, one can see “the most comprehensive collection of Pulitzer Prize-winning photos ever assembled,” according to the museum’s web site. It is an impressive sight: iconic photographs, one after the other, often as chilling as they are impressive.

We all loved the Pulitzer exhibit. We all stood spellbound at the gallery for far longer than we expected. Deep down, I think, journalists truly appreciate the value of the photograph.

And then, there’s this.

As the month of May came to a close, management at the Chicago Sun-Times made the decision to lay off its entire photography staff. They would instead rely on national feeds, freelancers, and reporters who would shoot photos with their camera-phones.

Is this a one-time thing or a sign of the times? Regardless, the landscape is undoubtedly changing for the newspaper photographer.

That brings us to this week’s Telling The Story podcast.

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PODCAST EPISODE #3: Anne Herbst, assistant chief photographer, KDVR-TV

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Try to follow the career path on this one.

Anne Herbst studied journalism in college with the intentions of being a newspaper reporter.

Her professor said she was better at shooting video, so she became a staff photographer at a TV station.

She got hired as a staff photographer at KUSA-TV in Denver — one of the top shops in the country for video journalism — but gradually began writing her own stories … to which reporters would then put their voices.

She left KUSA to become a solo video journalist at the Denver Post. If you’re scoring at home, Herbst went from a TV station to a newspaper and went from being a traditional photographer to doing everything herself.

This past year, she returned to TV as the assistant chief photographer at KDVR-TV, Denver’s FOX affiliate.

Herbst is a hallmark of developing numerous skills and leveraging one’s talent to find high-quality positions in the field of journalism. She has charted her own course in many ways, always finding ways to progress and improve.

Oh, and it helps that Herbst is really, really good at her job.

She has twice been named NPPA Photographer of the Year for the West region — always the most competitive in the country. She has won numerous NPPA awards as a solo video journalist, as well. Watch some of her work, and you will see why.

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3 GREAT STORIES OF THE WEEK: Starring nostalgia, water, and an all-puppy channel!

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Every week, I will shine the spotlight on some of the best storytelling in the business and offer my comments. “3 Great Stories of the Week” will post every Monday at 8 AM.

One of my co-workers, knowing my propensity for telling inspirational, uplifting stories, sometimes calls me “Dr. Feelgood”.

I think he would approve of the following batch of stories.

Two of these stories were published this week; the third actually first aired ten years ago but was re-aired last Friday in podcast form. They represent different forms of media — audio, photo, and the written word — but they all stir up some kind of emotion, from awe to nostalgia to the warm, fuzzy feeling that comes from watching puppies. (You’ll see what I mean …)

So get in touch with your inner Dr. Feelgood, and enjoy …

World Water Day 2013 (3/18/13, boston.com/bigpicture): I have mentioned the Big Picture blog three times now in this space, and I will probably have to restrict myself eventually. But this is my favorite of the three I have mentioned: a collection of photographs relating to water. I guarantee you have never seen photos quite like the first four in this gallery.

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