teamwork

I just worked remotely with a world-class photojournalist. Here’s what I learned.

Three months ago, I did something that would be considered blasphemous to the storytelling gods:

I blew off an invitation from Boyd Huppert.

When a 100x-Emmy winner reaches out to collaborate on a story, you should respond within minutes and say, “Absolutely, and where can I send the fruit basket to say thanks?” Boyd is not just a fabulous storyteller; he has been a constant source of inspiration, a guest on my podcast, and the author of the foreword for my book, The Solo Video Journalist. But on this day, I had to blow him off.

I had a good reason, though: my wife was in labor with our first child.

A day later, when our daughter had arrived and I had gained a few minutes to scroll through my messages, I saw Boyd’s note again and responded. He had discovered an extraordinary story involving a family in his region (the Twin Cities) and a 50-year-old man in mine (metro Atlanta). He proposed a video swap: I would shoot in ATL, and his team would shoot in MSP. When I realized I could shoot my part upon returning from paternity leave, I leapt at the chance.

Why? Of course I welcomed the opportunity to team up with Boyd. But I got especially excited about getting to work with his photographer. Boyd’s pieces for KARE-TV’s Land of 10,000 Stories segment are both poignantly written and immaculately shot, by photographers who regularly rank among the best in the country. I delighted at the chance to peek under the hood, use their footage, and study their techniques.

I got what I wished.

Boyd worked on this piece with Kevin Sullivan, a multiple finalist for NPPA Photographer of the Year and a recent Regional Edward R. Murrow winner. (He has since left KARE-TV to take a job with the Mayo Clinic.) Sully is a tremendous talent, and I dove into his video the way a child shovels through packing peanuts to get to a gift. I found treasure after treasure, from impeccably framed shots to beautifully captured moments. Here are three lessons I’ll take away for my own work as a photographer: (more…)

A video journalism how-to guide, from KUSA-TV’s Michael Driver

Consider this a cheat sheet.

Last week’s podcast with KUSA-TV photojournalist Michael Driver was one of the most-downloaded Telling The Story podcasts to date.

But, as I noted then, Driver was almost too good a guest.

He offered so much advice in such a short period of time, and while we were recording the interview, I kept thinking I could better serve photojournalists — heck, better serve myself — by transcribing all of Driver’s terrific tidbits.

I always enjoy the discussion of journalism, and I have used this blog several times to focus specifically on photojournalism. Check out my spotlight on the best NPPA video stories from 2012 or my podcast with KDVR-TV photographer Anne Herbst. Great photojournalism is an art that often must be sustained and passed down by, not station managers or other journalists, but the artists themselves.

Here is a thorough collection of important advice from Driver, one of the top photojournalists in the country.

BEFORE YOU SHOOT:

Back-time your day: “You need to make sure you know how much time you’re going to have to do this stuff. Give yourself enough time to edit and do the story properly. You have to have a plan in place. If you go in like, ‘We’ll see what happens,’ you’re going to run out of time. We work in a business where deadlines are our enemy. You have to make sure you get everything you can in the quickest amount of time, and then give yourself enough time to work on it.”

Work with your reporter (if you have one): “We’re constantly communicating, constantly talking about what we’re going to do. Talk to your reporter. When you get out to a scene, you’re not going to know exactly what it is. It’s constantly talking about, ‘What elements do we need? What are the visuals we need to tell this story?'”

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