storytelling

The COVID-19 pandemic struck as my daughter arrived. I knew I needed to stay on the sidelines.

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March 13th, 2020 was our baby girl’s due date. We didn’t realize how fortunate we were when she arrived two weeks early, two weeks before the coronavirus pandemic fully overtook most Americans’ lives.

By the time March 13th arrived, the NCAA had cancelled the Final Four, the NBA, NHL, and MLB had postponed or suspended their seasons, and the stock market had plummeted. A day earlier, my state of Georgia announced the first death related to COVID-19. That afternoon the United States officially entered a national state of emergency.

This was clearly, also, a journalistic emergency – the kind where anyone who can pick up a camera or write a script is expected to report. I didn’t. On March 13th, I fed and swaddled my newborn, then picked up my older daughter from day care with the knowledge she likely wouldn’t return anytime soon.

I wanted to work. But I wouldn’t cut short this critical period to do so.

A storyteller’s instinct is to rush to the biggest stories. We romanticize it. I’ve heard reporters boast about cutting short weekends, vacations, and honeymoons to cover the latest breaking story. To some degree – and depending on where you work – that’s part of the job. I’ve spent snowstorms on windy, whitecapped bridges. I’ve missed friends’ weddings to cover the World Series and Olympics. I struggle with these sacrifices, but I understand why they’re necessary, and I hope my friends and family do too.

But I wouldn’t sacrifice this. Months before my daughter arrived, I informed my bosses I planned to take four weeks off: two for paternity leave, and two as paid time off. I resolved as many commitments as I could beforehand, and I cleared those weeks to focus solely on family. No story, I pledged to myself, would reel me back.

Then a worldwide pandemic struck American cities, and I felt torn.

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Five years. 400 posts. 100,000+ views. Thank you.

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This will be a short post.

Maybe my journey into parenthood has caused me to appreciate brevity and efficiency. Maybe I don’t need much space to say what I need to say. But I am excited to publish this blog entry with celebration on my mind.

This is my 400th post for Telling the Story. It also marks more than five years since I launched the site.

I started the blog with two goals. For my own ambitions, I wanted to write more, challenging myself to produce two posts a week of narrative strength and thematic clarity. More importantly, I wanted to develop and contribute to a climate of inspiration and collaboration among my fellow journalists. I aimed – and still aim – to encourage us to think big about this profession. In my introductory post, the Storyteller’s Manifesto, I wrote, “I am excited to tackle the concept of storytelling. It is the one part of journalism that is not going anywhere.”

That hasn’t changed five years later, even as so much has.

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Every piece of advice I’ve ever written for aspiring storytellers, MMJs (almost)

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I started this blog 45 months ago as a resource for all journalists, but I specifically aimed to reach the younger ones looking for guidance as they embarked on their storytelling careers.

Now, 45 months later, I have taken the next step in that process: writing a book designed to help aspiring solo video journalists, or MMJs.

The Solo Video Journalist is available now on Amazon, Barnes & Noble, or my publisher’s web site. In honor of the book’s release, I have compiled a collection of every blog entry and podcast that deals with life as an MMJ and how I approach the job. I hope you find it useful.

PODCASTS WITH SOLO VIDEO JOURNALISTS

Episode #1: Jon Shirek: It’s only fitting that I began my podcast interviewing a solo video journalist. Jon Shirek is a tremendous co-worker and an inspiration in so many ways. He, like many of the guests in this list, wound up as interviewees for my book.

Episode #3: Anne Herbst: When I interviewed Anne Herbst back in 2013, she was working as the assistant chief photographer at KDVR-TV in Denver. She’s now the Senior Multi-Skilled Journalist across town at KUSA. She’s a terrific resource (and another interviewee in my book).

Episode #19: Ted Land: Yet another MMJ who I interviewed in The Solo Video Journalist, Land has won national awards for writing and is one of the more methodical, analytical storytellers I know. This episode is a winner because of his expert understanding of the craft.

Episode #27: Mike Castellucci: This dude shot a half-hour special on an iPhone. He’s a smart, offbeat guy with a passion for storytelling and a willingness to take extreme measures to do it.

Episode #34: Ben Garvin: I love Ben Garvin. He’s a solo video journalist in many ways, but mostly he represents the creativity and versatility that should be desired traits for any aspiring TV news storyteller.

Episode #42: Ellen Crooke & Scott Livingston: TEGNA and Sinclair have both become leaders in their usage of MMJs. In this episode, recorded at the NPPA Southeast Storytelling Workshop, each company’s VP of news addresses the topic and many others.

Episode #46: Joe Little: He is an annual YouTube sensation thanks to his montages of solo stand-ups. He’s also a pretty darn good MMJ who hustles harder than most.

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PODCAST EPISODE #31: “Best Of”, The Way We Act

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The number of podcasts is mounting up.

More than two years since I penned my first post for the Telling The Story blog, I have also had the pleasure of producing 30 podcasts. Each one has enabled me to interview a journalist or storyteller from across the media landscape.

I looked back at the list a few weeks ago, and I saw a few recurring themes.

One: I have gravitated towards guests who explain why we act the way we do — not as storytellers, but as recipients of storytelling. These guests are not necessarily journalists in a traditional sense, but they have used an expanding number platforms to explore the subject.

Such brings us to Episode #31 of the Telling The Story podcast: a “Best Of” edition on how we behave.

You’ll hear snippets from previous episodes with the following guests:

Ryan Shmeizer, a venture capitalist by day, on why we love list-based articles: “Lists are so tempting because they present the illusion of a satisfactory quick fix … but I do think, sometimes, hard-core, factual information that is hard to digest is often well served in list form.”

Dr. Paul J. Zak, professor at Claremont Graduate University, on the science of storytelling: “If you don’t get my attention in about 20 seconds, you’re gonna have a much harder time. … Print, you actually have a longer period of time, because people’s expectations are that it’s going to take a while to get through a page of text. But I think this says that the first paragraph, or even the title, signals that something’s gonna happen here.”

Clive Thompson, freelancer for Wired, the New York Times, and others, on the rapid evolution of language in the early years of social media: “Because we’ve had this shift where so much more conversation is happening in the written form, I think it’s almost like an evolutionary pressure to push language forward.”

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PODCAST EPISODE #22: Dr. Paul J. Zak, on the science of storytelling

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I have had numerous conversations with storytellers and journalists about why storytelling works.

But until recently, I had never thought about having that conversation with a neuroscientist.

A few weeks ago, I came across an article in the Harvard Business Review entitled, “Why Your Brain Loves Good Storytelling”. The author? A professor at Claremont Graduate University named Dr. Paul J. Zak.

I found the article compelling and reached out to the professor. He responded, and he joins me on this episode of the Telling The Story podcast.

Zak’s lab recently studied the ability of stories — through numerous forms and media — to develop oxytocin in the brains of their viewers. Oxytocin, says Zak, “is produced when we are trusted or shown a kindness, and it motivates cooperation with others.”

Here are the big three rules for producing the finest in oxytocin-inducing work:

1) You have 20 seconds to get my attention. Rick Reilly once wrote, “Without a good lead, they”ll never appreciate your death-defying twinkle-toe transition in the third paragraph.” According to Dr. Zak, the science bears this out. Storytellers have a brief window to grab their viewers, listeners, or readers. This works regardless of medium, although, Zak says, people give print stories a little more leeway.

2) You need to provide a character to which your audience can attach. Conflict is important, too. “We avoid tension when it comes to our daily life,” says Zak, “but we love it when we’re watching a story.”

3) Don’t be afraid to get deep. A story, even of the shorter variety, benefits from emotional complexity, meaning a storyteller should try to build various storylines and themes into a piece. This revelation left me pleasantly surprised, as Zak talks about how the brain responds to ebbs and flows within even a 30-second commercial, let alone a 90-second TV news piece.

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