murrow

PODCAST EPISODE #73: Solana Pyne, executive producer, Quartz

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Most of my guests on this podcast are in local news, because most of my audience are reporters, photojournalists, and solo video journalists in local news.

But I was reminded again watching the winners of this year’s National Edward R. Murrow awards about the fascinating, compelling work on the digital front.

How does that work come about? Perhaps it comes from a side of the industry that had to re-examine its definitions of storytelling. It’s so important to see how the standards have evolved for audiences who don’t distinguish between the types of content they receive.

Solana Pyne is setting those standards. Her work with the Quartz video team employs many of the tactics that traditional storytellers embrace, but she doesn’t stop there. Her team produces work that bends boundaries but brings journalistic chops. Last month, their joint production with Retro Report about the future of gaming – received a National Murrow award.

Pyne is my guest on Episode #73 of the Telling the Story podcast.

“It’s easy to presume your audience will be with you,” said Pyne, among other great words of advice, “so being forced to figure out how to capture people’s attentions really quickly is a good thing.”

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Happy 2019! Here were our most popular posts from 2018

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2018 was a year of transition. At least it was for this journalist.

I experienced my first full year overseeing my own segment on WXIA-TV, and I entered my second year as a grad student at the University of Georgia.

Above all, I became a dad.

This greatly influenced my writing and podcasting in this space. I blogged more sporadically but tried to make my posts meaningful. Throughout the year, support came in comments, Tweets, and messages. Whenever I debated pulling back, I received some form of appreciation that motivated me to keep going.

Here are the posts you clicked on the most in 2018, with a passage from each:

PODCAST EPISODE 64: Catherine Steward, photographer, WTVF-TV: I rarely ask a Telling the Story podcast guest to come back for a second episode. I like to spread the audio wealth and interview as many storytellers and journalists as possible to provide a full spectrum of perspectives for my audience.

But when a previous guest wins a National Edward R. Murrow award with one of the most pristine slices of video I’ve ever seen, I can make an exception.

Catherine Steward has captured numerous honors for her work as a photojournalist for WTVF-TV in Nashville. This may be her biggest yet. She took the Large Market TV station Murrow for Excellence in Sound, and the winning piece was a solo effort. I asked Steward to deconstruct her story, scene by scene, nearly shot by shot, to give the rest of us a chance at producing something similar.

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PODCAST EPISODE #65: Olivia Loomis Merrion, Murrow-winning documentarian

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(Photo credit Cayce Clifford)

One good National Murrow winner deserves another.

On my last Telling the Story podcast, I interviewed WTVF-TV’s Catherine Steward, who won a Large Market TV station National Edward R. Murrow award for Excellence in Sound. She gave an invaluable breakdown of her brilliant production, from her techniques when shooting video to her commitment to gathering audio. Her piece seemed like the pinnacle of a local TV news feature, rooted in traditional storytelling.

My guest for this episode went a different route.

She told a powerful story as well, but she did it with the foundations of documentary: a steady, slow pace; methodically deployed effects, and a soft bed of music. The piece is called “Recovering from Rehab” – a team-up with Reveal and the Center for Investigative Reporting – and its accompanying investigation became a finalist for the Pulitzer Prize. In my earlier post about lessons learned from this year’s Murrow winners, here’s how I described Merrion’s piece:

It’s just as effective, just as gripping, but nowhere near as sensational as its analogues in TV. Producer Olivia Merrion and reporters Amy Julia Harris and Shoshona Walter triumph here, with a straightforward but thoroughly reported story about a man sentenced to a year in prison but diverted to an alcoholism recovery program (despite no addiction to alcohol) where he mainly worked on a chicken processing plant. The super-tight shots at the start grab attention immediately, and from there Merrion and her team unfold the story with a deliberate confidence in its content.

Merrion is my guest on Episode #65 of the Telling the Story podcast.

I have worked in local TV news for my entire career, and I have received tremendous opportunities and national honors while maintaining a relatively stable salary and work-life balance. But when I speak to someone like Merrion – or recent podcast guest Emily Kassie – I always marvel at the allure and creative freedom of the documentarian route. I admire storytellers like Merrion who pursue stories with purpose, passion, and few restrictions for how to approach a subject. She has worked with major outlets and produced nationally recognized work, and she’s just five years into her career.

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PODCAST EPISODE #64: Catherine Steward, photographer, WTVF-TV

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I rarely ask a Telling the Story podcast guest to come back for a second episode. I like to spread the audio wealth and interview as many storytellers and journalists as possible to provide a full spectrum of perspectives for my audience.

But when a previous guest wins a National Edward R. Murrow award with one of the most pristine slices of video I’ve ever seen, I can make an exception.

Catherine Steward has captured numerous honors for her work as a photojournalist for WTVF-TV in Nashville. This may be her biggest yet. She took the Large Market TV station Murrow for Excellence in Sound, and the winning piece was a solo effort. Steward heard about a foundation called Strings for Hope that repurposes musical strings into wearable art, made by women who were formerly incarcerated with drug and alcohol addiction. In my earlier post about lessons learned from this year’s Murrow winners, I wrote this about Steward’s story:

It’s a beautiful concept, and Steward rises to it with an equally beautiful treatment. She captures crisp audio, whether on the Nashville streets or inside the string-spinning studio. Then she layers it in the edit with seamless fades in and out, musical and natural-sound-based scene switches, and pristine video to match.

This piece is a winner, no doubt. But it’s maybe the most instructive and practical for up-and-coming storytellers in need of inspiration.

I decided to interview Steward for the podcast because of that final observation. Young visual storytellers – photographers, reporters, or solo video journalists – should examine this piece for the myriad of techniques it includes. I asked Steward to deconstruct her story, scene by scene, nearly shot by shot, to give the rest of us a chance at producing something similar.

So BEFORE YOU LISTEN to this podcast, watch “Strings for Hope” below. And follow along with Steward on Episode #64 of the Telling the Story podcast.

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5 lessons from this year’s National Edward R. Murrow Award winners

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Awards season typically crests and winds down as the summer arrives, with one of the highest of honors coming near the cycle’s end.

Last week the RTDNA announced this year’s national recipients of the Edward R. Murrow awards. Whenever the list comes out, I spend hours watching the winners. So often, even working in journalism, we miss the majority of the great work done nationwide. The Murrows gives us another chance to witness the pinnacle of our craft.

Here’s what I learned from pieces that spanned the spectrum of broadcast and digital media:

THE STORY: Recovering from Rehab (Reveal/Center for Investigative Action)
THE LESSON: Slow and steady CAN win the race.

Working in local TV has conditioned me to expect a certain type of investigative story: URGENT voicing from the reporter, DRAMATIC confrontations with a person in power, and WHIZ-BANG graphics to hold the attention of the casual news viewer who’s debating whether to keep watching or head to bed.

But it doesn’t have to be that way. This piece shows how.

Recovering from Rehab took the National Murrow for investigative reporting among Small Digital News Organizations, and it’s easy to see why: it’s just as effective, just as gripping, but nowhere near as sensational as its analogues in TV. Producer Olivia Merrion and reporters Amy Julia Harris and Shoshona Walter triumph here, with a straightforward but thoroughly reported story about a man sentenced to a year in prison but diverted to an alcoholism recovery program (despite no addiction to alcohol) where he mainly worked on a chicken processing plant. The super-tight shots at the start grab attention immediately, and from there Merrion and her team unfold the story with a deliberate confidence in its content.

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PODCAST EPISODE #19: Ted Land, reporter, KING-TV

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When I started in broadcast journalism, I encountered a very vocal school of thought from more experienced colleagues regarding backpack journalists — or, more simply, reporters who shoot and edit their own stories.

I was told repeatedly that the rise of backpack journalism would (A) be a passing fad in larger markets and (B) bring down the quality level of TV news as a whole because (C) backpack journalists could never do as good a job as two- or three-person crews.

More than a decade later, all three of those predictions have proven spectacularly wrong.

For starters, more and more large-market stations are making room for reporters who do it all. Cost is one reason, obviously; one employee is cheaper than two. But stations can get away with that now because the overall quality of backpack journalism has increased dramatically over the last few years. Check out this winter’s award-winning stories in the NPPA’s quarterly solo video competition. They are strong pieces done by more than a dozen backpack journalists.

And at the top of the ladder, the best backpack journalists can produce work every bit as good as that of larger crews.

The latest example? Ted Land.

This month he begins his new job at the prestigious KING-TV in Seattle. But last month, he received a National Edward R. Murrow Award for writing in small-market TV, all thanks to stories he produced at WSBT-TV in South Bend — by himself.

Let me elaborate. The “small-market TV” category covers reporters, both solo and traditional, who work in any television market outside the top 50. In the category of writing, a backpack journalist bested an entire nation of competition.

Land is my latest guest on the Telling The Story podcast. (more…)