Podcasts

Here are long-form interviews with storytellers from across the business, from print to TV to podcasting to everywhere else. SUBSCRIBE TO THE PODCAST HERE!

PODCAST EPISODE #75: Lindsey Seavert & Ben Garvin, “Love Them First”

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Best Documentary. Best National Feature Documentary. Best Minnesota Made Documentary. Audience Award. Audience Choice. Best Production Design. Best Director.

Film festivals nationwide last year piled accolades on “Love Them First: Lessons From Lucy Laney Elementary,” a feature-length documentary produced primarily by two journalists from one Twin Cities TV station.

Lindsey Seavert and Ben Garvin had each worked at KARE-TV in Minneapolis/St. Paul for several years when they embarked on a series of stories about a local elementary school. That series quickly became the foundation for a documentary, and that documentary has since left an extraordinary mark on the education world. Its main character, Lucy Laney principal Mauri Melander Friestleben, has even appeared on the Today Show.

You can watch it right here:

Seavert and Garvin are my guests on Episode 75 of the Telling the Story podcast.

“With a flicker and another flicker, you can set the world on fire and create systemic change,” Seavert told me. “That’s really my hope: that we’ve sparked a national conversation about how we measure children.”

They’ve sparked it. And last month, Seavert and Garvin were honored at Columbia University with a duPont Award – or, as one colleague of mine called it, “the Pulitzer of video.”

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PODCAST EPISODE #74: John Sharify & Joseph Huerta, “Bob’s Choice”

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The most powerful 60 minutes I watched last year came from two storytellers at their best.

John Sharify has won umpteen awards through a reporting career that has spanned decades. Joseph Huerta is assembling an equally impressive resume as a photojournalist, now at WFAA-TV in Dallas. Last year, for their final story together at KING-TV in Seattle, Sharify and Huerta produced an hour-long documentary about a man named Bob.

That man, 75 years old and diagnosed with terminal cancer, had chosen to end his life.

Bob Fuller planned to utilize Washington’s Death with Dignity Act to request a lethal dose of medication on a date of his choosing. Several months before that date, Fuller reached out to Sharify to see if his story was worthy of being told.

Sharify knew he wanted to tell it.

He teamed with Huerta to produce “Bob’s Choice,” which is embedded below and available anytime on YouTube. It is stirring, touching, moving, and just about every other emotional adjective you can name. It is also musical, downright funny at times, and a thorough look at a difficult subject.

Sharify and Huerta are my guests on Episode #74 of the Telling the Story podcast.

This is among the longest episodes I’ve done. That’s partly because of having multiple guests, but it’s mainly because this subject cannot be rushed. Sharify and Huerta discuss their many storytelling decisions on “Bob’s Choice,” but they also open up about their own emotional journeys and the experience of watching someone voluntarily – but peacefully among family and friends – take his own life.

The discussion is heavy, but it’s worth it.

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PODCAST EPISODE #73: Solana Pyne, executive producer, Quartz

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Most of my guests on this podcast are in local news, because most of my audience are reporters, photojournalists, and solo video journalists in local news.

But I was reminded again watching the winners of this year’s National Edward R. Murrow awards about the fascinating, compelling work on the digital front.

How does that work come about? Perhaps it comes from a side of the industry that had to re-examine its definitions of storytelling. It’s so important to see how the standards have evolved for audiences who don’t distinguish between the types of content they receive.

Solana Pyne is setting those standards. Her work with the Quartz video team employs many of the tactics that traditional storytellers embrace, but she doesn’t stop there. Her team produces work that bends boundaries but brings journalistic chops. Last month, their joint production with Retro Report about the future of gaming – received a National Murrow award.

Pyne is my guest on Episode #73 of the Telling the Story podcast.

“It’s easy to presume your audience will be with you,” said Pyne, among other great words of advice, “so being forced to figure out how to capture people’s attentions really quickly is a good thing.”

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PODCAST EPISODE #71: Forrest Sanders, solo video journalist, WSMV-TV

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If only Sam Raimi were on social media.

Then perhaps the acclaimed director of The Evil Dead, A Simple Plan, and the Tobey Maguire Spider-Man series would learn of how one of his earliest movies influenced one of today’s most talented journalists.

Forrest Sanders watched The Evil Dead as a student and became enamored with Raimi’s shot composition and pacing. He developed a passion for shooting and editing that evolved into a career as a solo video journalist. Today Sanders has his own honors: numerous Emmys, two new regional Edward R. Murrow awards won last week, and a variety of accolades from the NPPA. This past year he was named its National Solo Video Journalist of the Year.

Sanders is my guest on Episode #71 of the Telling the Story podcast.

I loved this conversation. Sanders has quickly become a leader in the storytelling community, and he speaks with both introspection and clarity of purpose. We chatted about the power of early influences, the need to fuel your passions, and the way to carve your own path in a newsroom where that might seem difficult. And yes, we discussed Mr. Raimi (and Brian DePalma too!) for several enlightening minutes.

Here’s an example of one of his finest stories, “The Funeral Man.” In the episode, Sanders talks about the journey to make it happen.

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PODCAST EPISODE #70: Reflecting on ten years at one station in Atlanta

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I began to notice it sometime in the last few years. New reporters or interns would arrive at WXIA-TV in Atlanta, meet me, and ask how long I’d been with the station.

“I’m going on nine years.”

Eyes would widen, followed by a six-letter word that was either being used as a question or a comment: “Really …”

I immediately felt the need to defend myself. These days, having reached ten years, I still occasionally get the impulse. But whenever I do, I come back to a fundamental truism of my outlook about my job:

I just want to keep growing.

Weeks like this one remind me how much. On Tuesday, my work received four Regional Edward R. Murrow Awards. I had won Murrows before but never more than one in a given year. These stories reminded me how much I’ve grown since I arrived in Atlanta ten years ago.

I share similar perspective on Episode #70 of the Telling the Story podcast.

This is a non-traditional episode, featuring the reading of a recent blog post instead of a longform interview with a journalist or storyteller. Those episodes will resume soon, but I wanted to use this one to spotlight the growth we all hope to achieve in this industry. I hope you enjoy.

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PODCAST EPISODE #69: Autumn Payne, photographer, Sacramento Bee

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If you’ve read this blog regularly in the past year, you probably already know:

I love being a dad.

We welcomed our daughter nearly nine months ago, and my life has been permanently transformed. So has the desire to balance my time at home with my time at work. I wrote about these subjects in the recent issue of News Photographer magazine.

I didn’t realize what would stand alongside my column on the next page.

It was a piece from Autumn Payne, a photographer and videographer at the Sacramento Bee, titled, “Yes, you can raise a family and do killer photojournalism, too.”

I read it. I loved it. Payne’s words spoke to me as a new parent, even if she’s a few years further in the process. She wrote around raising her four-month-old daughter while maintaining a foothold in the world of journalism. Check out her web site. She’s crushing it.

Payne is my guest on Episode #69 of the Telling the Story podcast.

This is a worthy conversation, for new parents and for those who plan to one day become parents. Even the most ambitious and driven of us must adjust once they take on the numerous responsibilities of raising a child. But as Payne says, and as I have learned through my own experience, you don’t have to close the door on your career.

“You’re just a little more cognizant of what you’re doing,” Payne told me, “as a person and as a journalist, when you have a little kid looking up to you.”

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PODCAST EPISODE #68: Noelle Walker, reporter, KXAS-TV

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The following podcast episode made me uncomfortable.

I communicate for a living, and my trade is words. I stare frequently at blank cursors on my computer screen because I haven’t found the exact word to properly convey an adjective, identifier, or emotion. I wade into controversial waters with caution, because I know how certain words can be interpreted in unintended ways.

So when I invited Noelle Walker, an extraordinary and accoladed reporter for KXAS-TV in Dallas/Fort Worth, to discuss life as a woman in journalism in 2018, I knew it would require her to be vulnerable – and for me to join her.

I would need to challenge my own assumptions and choices, including with words. I would need to accept the ways in which I might be a part of the problem. I would need to avoid presuming to already understand what the problem might be. I would need to worry less about saying the wrong thing or using the wrong word and worry more about keeping my mouth shut and listening. I would need to live in the uncomfortable.

But I welcomed it.

I wrote earlier this year how equal representation in media isn’t just a task for the underrepresented, and I meant it. If I don’t use my position and platform to confront difficult issues and illuminate perspectives that aren’t my own, then I’m not doing my job as a journalist. That’s how I feel about my work on the air, and it’s how I feel about this blog.

That’s why I asked Walker to be my guest on Episode #68 of the Telling the Story podcast.

To be fair – and I mentioned this during our conversation – I could have asked Walker about any number of journalism-related topics and learned an inordinate amount. But I focused on this one because she just spoke at the Women in Visual Journalism conference in Denver, and I wanted to interview someone from that event about the lessons for all of us – specifically the younger journalists, women and men, who listen to this podcast. As expected, Walker offered tremendous insights and anecdotes, which one might expect from an experienced reporter who’s worked in numerous big cities and even freelanced at the network level.

(For an example of this work – and the process behind it – check out my recent podcast with Walker’s frequent photographic partner, Ryan Oliveira.)

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PODCAST EPISODE #67: Adrienne Broaddus, reporter, KARE-TV

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“See the invisible.”

Adrienne Broaddus used this phrase early during our interview, and I instantly got it and loved it. She was discussing her approach to covering Hurricane Florence, which she did for a sister station in the Carolinas instead of her home station, KARE-TV in the Twin Cities. The award-winning reporter spoke of the people she met at a homeless shelter and said, “The people who were there, I wanted their voices to be heard. That’s one of the foundations of great journalism.”

She used her time in North Carolina to find individual stories and unique details that weren’t getting covered amidst the macro focus of the storm. It defines her approach in general, and it indicates a reporter who is confident in her voice and how to utilize it.

Broaddus is my guest on Episode 67 of the Telling the Story podcast.

I reached out to her weeks before Florence, intending to discuss different topics. Broaddus had just captured a pair of Salute to Excellence awards from the NABJ. She had also just spoken at the Sound of Life Storytelling Workshop, where we crossed paths on the presenting circuit. We weaved around each other’s busy schedules for weeks – and then postponed the interview further once Florence arrived – before finally getting to chat.

It was more than worth it. I have known Broaddus for several years and have always been a fan of her clarity of purpose. She showed it in our interview. She spoke about how her faith guides her reporting and why she proudly carries the mantle of “hope dealer.” I think it’s a worthy listen for any storytelling trying to find his or her voice.

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PODCAST EPISODE #66: Persevering as a parent while powering through at work

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Since I began telling people my wife was expecting our first child, I received a familiar piece of advice from acquaintances and colleagues:

“Welp, say goodbye to the next 20 years!”

The implication, of course, is that my priorities will take a back seat to those of my child or children. That’s not wrong. Nearly seven months since becoming a dad, I have happily sacrificed and compromised many other aspects of my life to take better care of my daughter.

But I have also strove to maintain my own ambitions and desires, in a way that fits best my new schedule and responsibilities.

This podcast is one example.

It’s suddenly a challenge to conduct podcast interviews from home. During the day I’m typically at work. In the evenings, I try to keep my voice down so my daughter can sleep. As a result I have interviewed fewer guests for my podcast in the last six months, but I have tried to produce new episodes on a semi-consistent basis.

The solution? These shorter episodes that double as spoken-word recitations of my recent entries.

I did this for Episode 63, sharing my reflections upon my first Father’s Day. I do so again here, on Episode 66, with a behind-the-scenes story of life that intertwined with the launch of a major project at work. I hope you enjoy it … and, parent or not, laugh along with it.

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PODCAST EPISODE #65: Olivia Loomis Merrion, Murrow-winning documentarian

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(Photo credit Cayce Clifford)

One good National Murrow winner deserves another.

On my last Telling the Story podcast, I interviewed WTVF-TV’s Catherine Steward, who won a Large Market TV station National Edward R. Murrow award for Excellence in Sound. She gave an invaluable breakdown of her brilliant production, from her techniques when shooting video to her commitment to gathering audio. Her piece seemed like the pinnacle of a local TV news feature, rooted in traditional storytelling.

My guest for this episode went a different route.

She told a powerful story as well, but she did it with the foundations of documentary: a steady, slow pace; methodically deployed effects, and a soft bed of music. The piece is called “Recovering from Rehab” – a team-up with Reveal and the Center for Investigative Reporting – and its accompanying investigation became a finalist for the Pulitzer Prize. In my earlier post about lessons learned from this year’s Murrow winners, here’s how I described Merrion’s piece:

It’s just as effective, just as gripping, but nowhere near as sensational as its analogues in TV. Producer Olivia Merrion and reporters Amy Julia Harris and Shoshona Walter triumph here, with a straightforward but thoroughly reported story about a man sentenced to a year in prison but diverted to an alcoholism recovery program (despite no addiction to alcohol) where he mainly worked on a chicken processing plant. The super-tight shots at the start grab attention immediately, and from there Merrion and her team unfold the story with a deliberate confidence in its content.

Merrion is my guest on Episode #65 of the Telling the Story podcast.

I have worked in local TV news for my entire career, and I have received tremendous opportunities and national honors while maintaining a relatively stable salary and work-life balance. But when I speak to someone like Merrion – or recent podcast guest Emily Kassie – I always marvel at the allure and creative freedom of the documentarian route. I admire storytellers like Merrion who pursue stories with purpose, passion, and few restrictions for how to approach a subject. She has worked with major outlets and produced nationally recognized work, and she’s just five years into her career.

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